New photos added to the site, courtesy of Geoffrey Reeve

The first of a number of new images of Pauline Boty has been added to the website thanks to the generosity of one of her friends and fellow RCA students, Geoffrey Reeve, who also co-exhibited his paintings in the pioneering exhibition Blake, Boty, Porter, Reeve at the AIA Gallery in 1961.
Pictured below is Boty with fellow students from the stained glass department, photographed by Reeve for an article entitled “It’s Magic” in ARK 33 magazine, Autumn 1962.
Further of his portraits of Boty and her contemporaries will be shown in due course on the site via In Focus>Photos, changing on a regular basis.
Over 30 of Reeve’s photos are available to license from Bridgeman Images for personal, presentation and editorial use here: [link]

Pauline Boty with fellow RCA students [L-R] *Brian Newman*, Ray Bradley and *Gerald Nason*, c.1960. Photo © Geoffrey Raymond Reeve.

Pauline Boty with “Scandal ’63” by Michael Ward on display at the National Portrait Gallery

Pauline Boty by Michael Ward, 13 January 1964, C-type colour print

The portrait of Pauline Boty with her presumed lost work “Scandal ’63” is on display in “The UK 1960–Today” in Room 32 at the National Portrait Gallery.

“The display includes groups of portraits by particular artists, inviting the viewer to consider the range of contrasting approaches. While the challenge of depicting an observed sitter remained, a rich stylistic diversity characterises portraiture in the late 20th and early 21st centuries.

From the early 1960s the pace of social, political and artistic change in Britain gathered momentum. Food rationing ended only in 1954 and a growing affluence and a new mood of prosperity gave rise to increasing consumerism. Television, cinema, radio, advertising and magazines fuelled these changes by swiftly communicating the latest developments in fashion, design, music, science and the arts. But the optimism of the early 1960s was, by the end of the decade, replaced by a sense that the dream of progress had somehow slipped away. Throughout the 1970s and 1980s inequality in material wealth increasingly created new hierarchies and social tension.” [from the National Portrait Gallery website]

With thanks to Terence Pepper for the notification. More information on the portraits on display can be found here: [link]

New “Sources” section now available online

This new section lists some of the sources for titles of Pauline Boty’s paintings such as “Monica Vitti with Heart” shown below. In future the intention is to expand it further and also add information on the content she included, such as the names of individuals featured in the works. Access the new section here [link]