Bibliography

THE SIXTIES ART SCENE IN LONDON
1993, by David Mellor. Book accompanying the exhibition of the same name at the Barbican Centre. Phaidon

THE ONLY BLONDE IN THE WORLD: PAULINE BOTY (1938-1966)
1998, by Sue Watling and David Alan Mellor.  Exhibition catalogue for Whitford Fine Art and The Mayor Gallery Ltd. London, AM Publications

THE ONLY BLONDE IN THE WORLD
2006, by Bill Smith. “Latest Art, Issue 2”, pp. 10–15

POP’S LADIES AND BAD GIRLS: AXELL, PAULINE BOTY AND ROSALYN DREXLER
2007, by Kalliopi Minioudaki. Oxford Art Journal, Vol 30, Issue 3 (2007), pp. 402–430

NOW YOU SEE HER: PAULINE BOTY, FIRST LADY OF BRITISH POP
2007, by Adam Smith

RE-OCCUPYING THE EROTIC BODY: THE PAINTINGS AND “PERFORMANCE” OF PAULINE BOTY, BRITISH POP ARTIST (1938-66)
2007, by Sue Tate. In “Sexual Politics of Desire and Belonging”, Rumens, Nick & Alejandro Cervantes-Carson (Eds). Rodopi, Amsterdam/New York, NY

FORWARD VIA A FEMALE PAST”: PAULINE BOTY AND THE HISTORIOGRAPHICAL PROMISE OF THE WOMAN POP ARTIST
2008, by Sue Tate. In “Feminism Reframed, Reflections on Art and Difference”, A M Kokoli (Ed). Cambridge Scholar Publishing, Newcastle, pp. 177-205

A TRANSGRESSION TOO FAR: WOMEN ARTISTS AND THE BRITISH POP ART MOVEMENT
2010, by Sue Tate. In “Seductive Subversion: Women Pop Artists 1958–68”, Sachs, S and Minioudaki, K (Eds). University of the Arts, Philadelphia and Abbeville Press, New York and London

PAULINE BOTY: POP ARTIST AND WOMAN
2013, by Sue Tate. Wolverhampton Art Gallery with the Paul Mellon Foundation

THIS WAS TOMORROW: THE INVENTION OF POP ART IN GREAT BRITAIN
2016, by Ralf Beil and Uta Ruhkamp. Wienand Verlag & Medien

PAULINE BOTY: POP ARTIST, POP PERSONA, PERFORMING ACROSS THE “LONG FRONT OF CULTURE”
2017, by Sue Tate. In “Pop Art and Design” by Alex, Seago and Anne Massey. Bloomsbury Academic