On 29th June “British Art: The Jubilee Auction” at Sotheby’s in London will include Pauline Boty’s 1962 painting With Love to Jean-Paul Belmondo, with an estimated sale price of 500,000 – 800,000 GBP.
Sotheby’s describe the sale as follows: “In June 2022, the world’s attention will turn to London as we pay tribute to Queen Elizabeth II, the longest serving monarch in UK history, admired and respected globally for her 70 years of service. To mark this significant moment, we will hold a major live-streamed Evening auction dedicated to the best of British Art. The sale will incorporate artists such as Gainsborough, Constable and Millais working in the 18th and 19th centuries to icons of the 20th century such as Barbara Hepworth and L.S. Lowry, and into the 21st century with artists such as Bridget Riley and Banksy.”
With Love to Jean-Paul Belmondo will also be included in an exhibition at Sotheby’s in London from 28th May–15th June and 22nd–29th June. In the intervening time it will be on display in New York with other key works.
More information on the sale is available here: [link]
On 13th June Dr Sue Tate and Sotheby’s Frances Christie will be in conversation as part of the Jubilee Arts Festival – a programme of musical and dramatic performances, cultural and historical debates and talks with contemporary artists and creatives. Further details to follow soon here.
Details With Love to Jean-Paul Belmondo by Pauline Boty Oil on canvas Signed BOTY, titled and dated 62 (on canvas overlap) Property from a French Private Collection
Unframed: 152.5 by 122cm.; 60 by 48¼in. Framed: 154 by 123.5cm.; 60½ by 48¾in. Executed in 1962.
In London’s New Scene: Art and Culture in the 1960s Lisa Tickner presents a sequence of critical case studies, each of which explores a particular institution or event in the cultural life of London between 1962 and 1968. Each chapter takes a particular topic as its focus – these include Ken Russell’s film Pop Goes the Easel (1962), the opening of the Kasmin Gallery (1963), the first of the New Generation exhibitions and Painting and Sculpture of a Decade: ’54-’64 at the Whitechapel and Tate Galleries (1964), Lord Snowdon’s photographs of artists in Private View (1965), Antonioni’s London film Blow-Up (1966), and more. The book treats a film, a gallery, an exhibition, a book, a protest, as itself a ’work’: as a creative project in its own right, built from the resources to hand, subject to the pressures of the moment, comparable in its own way to the art it draws on or frames.
The illustrations include art works by David Hockney, Peter Blake, Derek Boshier, Pauline Boty, Bridget Riley, John Latham and Barry Flanagan, photographs by David Bailey, Ida Kar, Jorge Lewinski and Lord Snowdon, and a wide range of film stills, gallery installation shots, advertisements and press photography.” [information courtesy of Yale University Press]
SPECIFICATIONS Publisher: Paul Mellon Centre Distribution: Yale University Press Format: Hardback Size: 256 x 192mm Pages: 424pp Illustrations: 200/80 colour ISBN: 9781913107109 Price: £35