Major work by Boty to be sold by Sotheby’s in Jubilee Auction

On 29th June “British Art: The Jubilee Auction” at Sotheby’s in London will include Pauline Boty’s 1962 painting With Love to Jean-Paul Belmondo, with an estimated sale price of 500,000 – 800,000 GBP.

WITH LOVE TO JEAN-PAUL BELMONDO, oil on canvas, 1962

Sotheby’s describe the sale as follows: “In June 2022, the world’s attention will turn to London as we pay tribute to Queen Elizabeth II, the longest serving monarch in UK history, admired and respected globally for her 70 years of service. To mark this significant moment, we will hold a major live-streamed Evening auction dedicated to the best of British Art. The sale will incorporate artists such as Gainsborough, Constable and Millais working in the 18th and 19th centuries to icons of the 20th century such as Barbara Hepworth and L.S. Lowry, and into the 21st century with artists such as Bridget Riley and Banksy.”

With Love to Jean-Paul Belmondo will also be included in an exhibition at Sotheby’s in London from 28th May–15th June and 22nd–29th June. In the intervening time it will be on display in New York with other key works.

More information on the sale is available here: [link]

On 13th June Dr Sue Tate and Sotheby’s Frances Christie will be in conversation as part of the Jubilee Arts Festival – a programme of musical and dramatic performances, cultural and historical debates and talks with contemporary artists and creatives. Further details to follow soon here.

Details
With Love to Jean-Paul Belmondo by Pauline Boty
Oil on canvas
Signed BOTY, titled and dated 62 (on canvas overlap)
Property from a French Private Collection

Unframed: 152.5 by 122cm.; 60 by 48¼in.
Framed: 154 by 123.5cm.; 60½ by 48¾in.
Executed in 1962.

New study of 1960s London art world including Pauline Boty is published on 9th June

“London’s New Scene: Art and Culture in the 1960s” by Lisa Tickner. Cover photo: 4th April 1967: Fab Pop Bash with Rauschenberg © Elsbeth Juda

In London’s New Scene: Art and Culture in the 1960s Lisa Tickner presents a sequence of critical case studies, each of which explores a particular institution or event in the cultural life of London between 1962 and 1968. Each chapter takes a particular topic as its focus – these include Ken Russell’s film Pop Goes the Easel (1962), the opening of the Kasmin Gallery (1963), the first of the New Generation exhibitions and Painting and Sculpture of a Decade: ’54-’64 at the Whitechapel and Tate Galleries (1964), Lord Snowdon’s photographs of artists in Private View (1965), Antonioni’s London film Blow-Up (1966), and more. The book treats a film, a gallery, an exhibition, a book, a protest, as itself a ’work’: as a creative project in its own right, built from the resources to hand, subject to the pressures of the moment, comparable in its own way to the art it draws on or frames.

Page 44 /fig. 32 Pauline Boty, 1963. Photograph by Jorge Lewinski, Private collection © The Lewinski Archive at Chatsworth/Bridgeman Images

The illustrations include art works by David Hockney, Peter Blake, Derek Boshier, Pauline Boty, Bridget Riley, John Latham and Barry Flanagan, photographs by David Bailey, Ida Kar, Jorge Lewinski and Lord Snowdon, and a wide range of film stills, gallery installation shots, advertisements and press photography.” [information courtesy of Yale University Press]

SPECIFICATIONS
Publisher: Paul Mellon Centre
Distribution: Yale University Press
Format: Hardback
Size: 256 x 192mm
Pages: 424pp
Illustrations: 200/80 colour
ISBN: 9781913107109
Price: £35

More information available here [link]