Subtitled A journey through painting and photography the exhibition runs from 13 June – 28 April 2024. The Tate website explains its subject further, as follows:

“The arrival of photography changed the course of painting forever. In this unique exhibition, we explore the dynamic relationship between the two mediums through some of the most iconic artworks of recent times.

From the expressive paintings of Pablo Picasso and Paula Rego, to striking photographs by Hiroshi Sugimoto and Jeff Wall, you will see how these two distinct mediums have shaped each other over time.

You will also discover how artists have blurred the boundaries between painting and photography, creating new and exciting forms of art, such as Pauline Boty’s pop paintings, Andy Warhol’s silkscreen prints, the photorealist works of Gerhard Richter, or Andreas Gursky’s large-scale panoramic photographs.

In an open-ended conversation between some of the greatest painters and photographers of the modern era, we explore how the brush and the lens have been used to capture moments in time.

The exhibition is realised in collaboration with the YAGEO Foundation, Taiwan. The YAGEO Foundation was founded by Taiwanese collector, entrepreneur, and philanthropist Pierre Chen in 1999.”

As well as Boty, other artists and photographers featured in Capturing The Moment include Michael Armitage, Francis Bacon, Georg Baselitz, Lisa Brice, Cecily Brown, Miriam Cahn, George Condo, Njideka Akunyili Crosby, John Currin, Peter Doig, Marlene Dumas, Jana Euler, Lucian Freud, Andreas Gursky, Richard Hamilton, David Hockney, Candida Höfer, Dorothea Lange, Louise Lawler, Marwan (Marwan Kassab-Bachi), Alice Neel, Paulina Olowska, Laura Owens, Pablo Picasso, Pushpamala N., Christina Quarles, Robert Rauschenberg, Paula Rego, Gerhard Richter, Wilhelm Sasnal, Joan Semmel, Lorna Simpson, Thomas Struth, Hiroshi Sugimoto, Salman Toor, Luc Tuymans, Jeff Wall and Andy Warhol

This is Dr. Sue Tate’s assessment of the exhibition: “Still time to catch Capturing the Moment at Tate Modern before it closes on April 28th and see how unquestionably Pauline Boty’s work holds its own in company with major figures Gerhard Richter and Andy Warhol.
As you pass Richter’s Aunt Marianne, 1965, Boty’s Portrait of Derek Marlowe with Unknown Ladies will be in your sight line in the next room. With their shared use of monochrome photorealist reproduction of existing photographs yet very divergent meanings, they are in an equal dialogue. At the far end of the Pop art wall, Andy Warhol’s photo-screen printed Self Portrait echoes the Marlowe portrait. Boty, however, goes further than simple portrayal to offer a complex mix of gender critique (those poor unknown ladies) and object of desire.
Wonderful to see Boty’s work taking and holding its due place in the pantheon of 20th century art.”

Further information, including how to book tickets, is available here: [link]